'isolation, illumination and intimacy'

february - april

A group show including works by Kelcy Taratoa, Elizabeth Thomson, Laurence Aberhart, Chris Charteris, Tim Greenhough, Christine Boswijk, Toss Woollaston, Ralph Hotere and Peter Robinson. 

These words evoke incongruent emotions. Everyday life, in its cyclical and unremitting mundaneity is not always etched as clearly in our memories as recollections of things that are out of the ordinary. We are so caught up with events and activities in the public sphere that we often overlook the deep meaningful experiences the private sphere holds for our lives. That is why our society needs art and its artists! They remind us of the touchstones of our humanness and that, through our own efforts, we can transform that which would "bring us down" into that which will "lift us up." This exhibition includes the work of a carefully selected group of artists who through their art practice offer a peculiar insight to disrupt the taken-for-grantedness of our everyday world and mark ordinary objects and activities with the extraordinary eye, hand and insight of the artist.

Kelcy Taratoa, Replicant 007, 2009, acrylic on linen, 1250x850 mm

Elizabeth Thomson, From the Black and Whites 2007, patina , casein, oil-based pigment on 13 bronze moths, 1000x1200x50 mm

Ralph Hotere, Winter Solstice Carey’s Bay, 1993, acrylic and gold leaf on card, 180x210 mm

Ralph Hotere, Winter Solstice Carey’s Bay, 1993 acrylic and gold leaf on card, 180x210mm

Laurence Aberhart, St Mathew's Anglican Church, Parapara, Northland, 15 May 1982, [silver gelatin POP print 1982/2006/3]

Laurence Aberhart, Two Memorials, Porangahau, Hawke's Bay, 17 May 2003,[silver gelatin, gold & selenium toned. 2003/4]

Peter Robinson, Red Light Special on All Deleted Stock, 1995, oil stick and acrylic on wooden crate,1720x1625mm,

Tim Greenhough, Cradles, 2006, 35mm Silver gelatin print edition of 3

Tim Greenhough, Gate, 2006, 35mm Silver gelatin print, edition of 3

Elizabeth Thomson, Topographical Studies for the Aviatrix, Dawn 21 June 2003, bronze, oil-based pigment, lacquer acrylic on panel, 850x610x80 mm

Detail Elizabeth Thomson, Topographical Studies for the Aviatrix, Dawn 21 June 2003, bronze, oil-based pigment, lacquer acrylic on panel, 850x610x80 mm

Elizabeth Thomson, Party of Six, 2008 Bronze, dimension variable

Elizabeth Thomson, Detail Party of Six, 2008 Bronze, dimension variable

Chris Charteris, Pounamu Disc, 2002, pounamu Big Bay South Westland, sennet chord, disc 125 mm diameter

Toss Woollaston, School Girl, 1977, watercolour and pencil on paper, 260x 330mm

Chris Charteris, Kouma Pounamu Breastplate, 2009, pounamu Big Bay South Westland Mugimugi chord, 180 x 240mm, length 600mm

Elizabeth Thomson, Another Green World, 2008, polyester resin, fibreglass, vinyl paint, hand formed glass and glass spheres 360x 360 x 85mm

Christine Boswijk, Form and Space,2009, black clay and wax, 470x470 x125mm

Chris Charteris, Pounamu Whaiora 2006, Pounamu, Big bay South Westland, 300x545x45mm

Chris Charteris, Receive 2008, Andesite Whangapoua