14 november - 16 december: and light
And light… exhibits the art of, Elizabeth Thomson, Gerda Leenards, Raewyn Atkinson and Megan Jenkinson. Atmospheric conditions and reflections on light and form are essential concepts behind both Leenards' and Jenkinson’s work. Pivotal to the art of Thomson and Atkinson are their use of white and interpretations of space and fragility of form. This exhibition runs until December 17 and parallels the Wellington City Gallery’s installation of Leenards', ‘Following the Blue Ribbon’.
Raewyn Atkinson , Iceberg Alley, 2005, (12 x tins) porcelain, macrocarpa/fluorescent light, 600x210x200mm
Raewyn Atkinson, Cape Evans/The Ill Fated Party ,2005,(5x tins) porcelain/ macrocarpa/ fluorescent light, 600x120x280mm
Raewyn Atkinson, Terra Nova ,2005,(8xtins) porcelain/ macrocarpa/ fluorescent light, 575 x195 x300mm
Elizabeth Thomson, Another Blue World, 2006,fibre, glass, polymer resin, glass, acrylic, glass, 320x320mm
Elizabeth Thomson, Kiribati, 2009, fibreglass, polymer resin, glass elastane, acrylic, glass, 1000x1000mm
Megan Jenkinson, Antarctic Widow, 2009, Digital Ultra chrome print on Epson watercolour paper, 570 x455mm Edition 1 of 5
Megan Jenkinson, Antarctic Hero, 2008, Digital Ultra chrome print on Epson watercolour paper, 530x 710mm, Edition 1 of 5
Megan Jenkinson, The Instrument of Ice (detail), 2007, Digital Ultra chrome print on Epson watercolour paper, 2700 x 500mm Edition 1 of 5
Megan Jenkinson, The Instrument of Ice, 2007, Digital Ultra chrome print on Epson watercolour paper, 2700 x 500mm Edition 1 of 5
Raewyn Atkinson, Deep Time # 24-R39, 2009, Porcelain, chun glaze, stainless steel, 950diameter x 260mm
Raewyn Atkinson, Deep Time # 24-R39, 2009, Porcelain, chun glaze, stainless steel, 950diameter x 260mm
Raewyn Atkinson, Deep Time # 24-R39, 2009, Porcelain, chun glaze, stainless steel, 950diameter x 260mm
