elizabeth thomson

wellington-based sculptor and printmaker elizabeth thomson is fascinated with both the orderliness and the disorderliness of nature. While her wall-sculptures are meticulous, 'high fidelity' productions, her art also reflects a fascination with the ruptures, disjunctions and absurdities of the natural world—hence the element of science fiction, or 'sci-fi', which is never far from the surface.

while thomson's dizzying perspectives and optically challenging orchestrations make us aware of the limits of both eye and rational mind, the materials she uses—blown glass, bronze, zinc, beading, fibreglass—draw us closer to the sculptural qualities of the work, with its hard and soft surfaces, its roughness and smoothness, opacity and transparency.

this extract includes edited text by the city gallery, wellington, new zealand from the catalogue for the show 'my hi-fi, my sci-fi'; survey exhibition travelling new zealand 2006-2007

horoeka

1. 'Study for Consuegra' - Two descending (in size) lines of bronze painted leaves intersecting to form an imaginary 3D perspective.
2. 'supposition, Parts 1,2' elements created to look like fungus on natural wood (left) and a vertical brick like construct using Lancewood leaf shapes (in painted Bronze)
3. 'hi fi' - an impressive horizontal creation of Bronze lancewood leaves arranged vertically
3a. Detail (close up of 'hi fi')
4. 'Constance' - Lancewood leaf shapes arranged in a circle (tips going from the center outward) arranged around glass 'eye'
5. 'Botanical Icons I-IX' - various arrangements of Bronze painted leaves.
5.a Detail (close-up of Botanical Icons I-IX)
6. 'Botanical Icon, 2007' - a vertical cross shape arrangement of 4 'leaves'
7. 'Botanical Icon, 2008' - an 'x' shaped arrangement of 4 'leaves'
8. 'Botanical Icon, 2008' - 4 'x' shaped arrangements, in a square composition
9. 'Botanical Icon, 2008' - 3 'x'shaped arrangements in a row.

isolation, illumination and intimacy

Elizabeth Thomson, From the Black and Whites 2007, patina , casein, oil-based pigment on 13 bronze moths, 1000x1200x50 mm
Elizabeth Thomson, Topographical Studies for the Aviatrix, Dawn 21 June 2003, bronze, oil-based pigment, lacquer acrylic on panel, 850x610x80 mm
Detail Elizabeth Thomson, Topographical Studies for the Aviatrix, Dawn 21 June 2003, bronze, oil-based pigment, lacquer acrylic on panel, 850x610x80 mm
Elizabeth Thomson, Party of Six, 2008 Bronze, dimension variable
Elizabeth Thomson, Detail Party of Six, 2008 Bronze, dimension variable
Elizabeth Thomson, Another Green World, 2008, polyester resin, fibreglass, vinyl paint, hand formed glass and glass spheres 360x 360 x 85mm